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About Into the Woods : The Roles

Narrator Intellectual and pleasant. A good storyteller who relates directly with the audience. Mainly spoken role with a couple of singing lines. Written for male, could be female.
Baritone: G - High E
Cinderella Earnest, pretty, warm-hearted, kind, and trying to find her place in the world. A survivor. Good singing voice particularly required.
Soprano: G - High G
Jack The feckless Giant Killer, almost a man. Eager to please and impulsive. A little slow of learning, and misled by his lack of self-knowledge. A challenging role.
Tenor or high Baritone: A - High G
Jack’s Mother A single mother and a fighter, working hard and determined to make a good life for her hapless son. Older, mid-range female.
Soprano: B - High F sharp
Baker An average working man. Warm hearted and determined but insecure, and has never faced his fears. Loads of singing – strong voice needed.
Baritone: A - High G
Baker’s Wife Determined and bright. A romantic at heart, but materialistic at times. The leading role with plenty of songs. Good acting skills needed
Mezzo-Soprano: G - High F
Cinderella's Stepmother Mean-spirited, greedy and demanding. Superb character part.
Mezzo-Soprano: A sharp - High F
Florinda Cinderella's stepsister, lovely but black of heart. Loud, energetic. Good character role.
Mezzo-Soprano: C - High E
Lucinda Cinderella's stepsister, lovely but black of heart. Loud, energetic. Good character role.
Mezzo-Soprano: C - High E
Cinderella's Father A drinker, out of touch with his family but harmless and well-meaning. No solo singing.
Open vocal range
Little Red Riding Hood A spoiled, clever, vain, smart alec. Seeks approval in place of love, of which she has had none. Fun character, adult playing a child. Soprano or alto
Mezzo-Soprano: B - High F
The Witch Outwardly self-serving, possessive, sarcastic, vain, charismatic. Inwardly insecure and lonely. Hugely challenging role, strong singing and acting needed
Mezzo-Soprano: Low F - High F with good belt!
Cinderella's Mother Nurturing and loving. A spirit, who dispenses useful advice. Good singing voice
Soprano.
Mysterious Man A mischievous vagrant with a secret. Mostly acting role but with one big musical number.
Baritone: G - High E flat
Wolf Hungry and insatiable. Seductive and sexy. Only two scenes but he could easily steal them both!
Baritone: B - High G flat
Granny Bitter and vindictive, she is Little Red's feisty, savage, knife-wielding grandmother. No solo singing, but plenty of humour.
Open vocal range.
Rapunzel A loopy-but-lovely maiden who is completely and utterly innocent of worldly matters and drifts through life. Needs good vocal control.
High Soprano: C - High A sharp
Cinderella's Prince Vain, gorgeous, self-dramatising and endlessly confident. A hero in his own life’s story. Reasonably tall.
Baritone: B - High F
Rapunzel's Prince Just as vain, gorgeous, etc as his older brother although not as tall. Strives endlessly to be beat him in all things.
Baritone: C sharp - High E
Steward Surly and bureaucratic, full of self-importance. No solo singing but plenty of good lines.
Open vocal range.
Giant Female. Loud, angry, offstage voice only. No singing. Could double as chorus.
Snow White Small role with no solo singing.
Sleeping Beauty Small role with no solo singing.


 

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Also in this section:

Plot - Summary

Plot - In-Depth

The Roles

The Music

About James Lapine

About Stephen Sondheim


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